What are your ambitions?
I don’t have a checklist of commercial milestones, and I’m not looking to turn my passion into a high-pressure business. My only real ambition is to translate the sounds in my head into compositions that resonate with others.
I want to share my work with the global community of music lovers. If my music becomes the soundtrack to someone’s workday, inspires a fellow creator, or simply provides a moment of epic escapism for a stranger across the world, then I have succeeded.
And to truly bring this vision to life, I’ve embraced the role of a multi-disciplinary creator. I handle the video editing and web design myself – not because I claim to be a high-level professional in these fields, but because I want every aspect of this project to be authentic. By doing it all on my own, I ensure that the visual aesthetic and the digital experience are as personal as the melodies themselves. It’s a true DIY passion project, fueled by a desire to learn and a love for the process.
How do you compose your music? Do you use AI?
My process is a partnership between human intuition and modern technology. Most compositions begin the traditional way: with me sitting at a piano, finding a melody that feels right. Some sections or transitions are born from carefully reflected prompts. I consider my work “AI-augmented”, but not “AI-generated”.
I am a firm believer in the evolution of technology. I view Artificial Intelligence as a powerful collaborator – a high-tech tool rather than a “minion” to do the work for me. AI is part of the orchestration process, the visual storytelling in my videos, and even the refinement of my text writing. It isn’t about giving a simple prompt like “Write me an orchestral score” and walking away. It’s about the fine details – guiding the tools to match the specific vision I carry. We are living through a massive technological shift, and I choose to embrace it as a way to amplify human creativity, not replace it.
Do you have other hobbies?
Beyond the studio, my inspiration is often fueled by the immersive worlds of PC gaming. As a lifelong fan of Fantasy RPGs, I see a clear ‘red line’ connecting all my passions. Whether it’s the epic themes of a classical score, the energy of Power Metal, or the lore of a digital quest, they all share a sense of epic storytelling. I’ll happily admit it: I’m a geek! And that geek-centric love for high-fantasy atmosphere is the heartbeat of every note I write.
What’s on your private playlist?
My own compositions are a reflection of the giants who paved the way. I’ve always been drawn to artists who prioritize emotion and energy over rigid musical rules.
The Cinematic Masters: My biggest influence is undoubtedly Hans Zimmer. I’ve always admired how he defies traditional boundaries to create something entirely new; his success proves that following your own path is the ultimate “right” way to create. I also find deep inspiration in the melodic power of Brian Tyler, the rhythmic genius of John Powell, the epic scale of Thomas Bergersen, and the atmospheric depth of Harry Gregson-Williams and Steve Jablonsky.
The Power Metal Giants: When I want power, I turn to the symphonic and anthemic sounds of Nightwish, Sabaton, and Powerwolf. I also have a deep appreciation for the high-energy “heavy metal disco” vibes of Battle Beast and Beast in Black.
The Folk & Storytellers: There is a special place in my heart for German Folk Rock and Metal. The medieval energy of Feuerschwanz and Saltatio Mortis speaks to my “geek” soul, while the softer, seafaring tones of dArtagnan and Santiano remind me of the power of a simple, driving melody.
Can I use your music?
The short answer is yes, with a small “but.” Even though this project is driven by passion rather than profit, all of my compositions are copyrighted. I believe in the “open community” spirit of the internet, so you are more than welcome to use my tracks for your personal projects – whether that’s a YouTube vlog, a social media reel, or a private video. My music is freely available on YouTube for this exact reason.
However, if my music is used in a commercial capacity – meaning if someone else is making money from a project that features my tracks – I expect a “piece of the cake.” Professional-grade software, hardware, and the years of training required to use them are not cheap. If my work helps you generate revenue, it’s only fair that we share in that success.